等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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圣诞节快到了,工作缠身的霍华德(阿诺•施瓦辛格 Arnold Schwarzenegger 饰)早把对儿子的圣诞礼物的承诺丢到脑后了――他答应送儿子一个涡轮超人作为圣诞礼物。这天,经过妻子提醒,霍华德一大早就跑到玩具商店抢购,在玩具商店他结识了同为人父的邮递员马鲁(辛贝 Sinbad 饰),无奈涡轮超人一早都已卖光,两人只能失望而归。 失望的霍华德几乎没有勇气回家面对儿子失望的眼神,他在街上游荡时碰上了冬季大游行。稀里糊涂的他竟被拉上了花车扮演真人版涡轮超人,按照要求涡轮超人可以挑选一名孩子参加游戏并奖给他一个涡轮超人,霍华德在人群中发现了儿子的身影。当他将儿子挑选上来时,却发现扮演反派的竟然是马鲁,马鲁亦要尽力为儿子争取这最后一个涡轮超人!
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在上海纺织业大亨廖政鸿家中发生了一起可怕的命案,廖政鸿的独生子廖英琪醒来时发现一名死状可怖的女子被吊死在自己的卧室内。这一事件引发了广泛的谣言,许多人相信廖家早就传言中闹鬼,认为这是恶鬼所为。然而,廖家人却坚决否认认识这名死者,案情变得扑朔迷离,舆论压力也不断增加,迫使陈探长接手调查此案。 同时对案情表现出兴趣的还有陈探长的儿子陈天生,他曾留学德国,回国后在巡捕房做了翻译员。在勘查现场后,父子二人都觉得这起案件并不简单,特别是廖英琪表现出的怪异举止引发了他们的怀疑。经过调查,陈天生发现了许多疑点,如廖英琪的卧室并非最初的现场,死者是被勒死后再吊起来的。此外,廖家的花园虽然疏于管理,唯独玫瑰园异常茂盛,且被禁止外人进入,这引起了他们更多的注意。随着调查的深入,陈天生发现死者名叫姚红,是一家歌舞厅的舞小姐,而且怀有三个月身孕。为了进一步获取线索,廖英琪和法医韩玲来到歌舞厅调查情况。然而,意外发生在刘轩被打伤昏倒在地,而行凶者竟是廖家的佣人周玉芳。
金枝玉叶1994
著名音乐人顾家明(张国荣 饰)精心栽培了最受欢迎女歌星玫瑰(刘嘉玲 饰)。两人男才女貌,是十分相配的一对。他们的忠实fans林子颖(袁咏仪 饰)误打误撞成为了唱片公司的男新人,众人都没有发现其实林子颖是女扮男装的。子颖生活在偶像的圈子中才发现这对金童玉女正面临感情的考验。子颖的纯真同时吸引住了家明与玫瑰的眼球,分别对子颖产生了爱意。一段复杂的三角关系,引出不少笑料。